Detalhes, Ficção e lo-fi coffee house
Detalhes, Ficção e lo-fi coffee house
Blog Article
This video was posted on June 1, 2020 on the Jacknjellify YouTube and Instagram. In the video, Bomby is seen juggling a cake, a bomb, and a banana with classical music playing in the background. Naily and Black Hole can be seen passing by in the background.
The top melody could come in at the chorus to make the beat more interesting and captivating to the listener. It should also blend seamlessly with your chords and/or samples. Keep it simple and expressive to maintain the lo-fi aesthetic throughout.
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That’s usually where you will plug in the top drums, or hi-hats. Try a closed hi-hat on every second note and listen to what it sounds like. There you have your standard Lo-fi Hip Hop pattern.
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Other commonalities in Lo-fi music are the use of sound FX and samples throughout the songs. It’s not rare to hear a voice recording from an old movie, cartoon, or historical speech over a Lo-fi beat.
Play out your chords, 4 notes at a time, and that will give you a great-sounding musical foundation. Experiment with different voicings and variations of the instrument to find the right vibe.
Flower and Bomby sit at the top of the steps from "Get to the Top in 500 Steps" and "Getting Teardrop to Talk" eating bananas. They are sharing one earphone while listening to music on a device that looks like a phone, or an MP3 player.
To add a bit of Music Lo-Fi depth lo-fi beats and atmosphere, you can incorporate sound effects like rain, birdsong, or street noise. Adding some vinyl crackle to the track can also contribute greatly to the beat.
Sometimes Lo-fi beats will have a subtle crackle over the recording to add even more nostalgic flavor to them.
This video was posted to the Study Lo-Fi Jacknjellify X account on July 3, 2020, right after "Let's Raid The Warehouse" was uploaded. In the video, Leafy begs Firey to not turn her into a marketable plushie, referencing a meme of characters Study Lo-Fi begging to not be turned into a marketable plushie.
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